A short history of the audio book
In 1920 the Royal National Institute for the Blind in England was allready doing research on how to create audio books for the blind. At that time there were a lot of ex World War 1 soldiers who had gone blind as a result of the fighting. In 1926 the RNIB started to use LP’s to record audio books which could be played on record players (the kind with the big horn, you had to swing a handel a couple of times befor it would play).
In 1936 the “Talking Book Service” was launched.The first two books were:’The murder of Roger Ackroyd’ by Agatha Christie and Joseph Conrad’s ‘Thyphoon’. The records used at the time could hold 25 minutes of spoken tekst, so they needed about 10 records for an average audio book.
In 1940 the studio used by the RNIB was bombed, and one month later a replacement studio was bombed as wel.The RNIB wanted to start publishing audio books again, but they needed certain materials which had been destroyed.
In America, the American Foundation for the Blind (AFB), had started producing audio books as wel, and they did send the much needed parts to help their English counterparts. Unfortunatly the shipment got lost during a bombing raid of the London harbour! A second shipment however did make it, and the RNIB was able to start again with the production of audio books.
In the sixties the audio books started to appear on casettes, and later, after the infention of the compact disk player, on CD’s.
Nowadays the audio books have become more are popular then ever befor, in spite of their age. One of the main reasons for their ever growing popularity is the fact that audio books can be downloaded straight from the Internet. There are a good few audio book publishers who provide this service, and it looks like their on to a winner.
Audio books, more then 70 years old and still gowing strong.
Jumat, 10 Februari 2012
The Real Story
This novella is a prelude to four subsequent volumes, and it tells a simple and one-dimensional story. An intergalactic setting in the far future revolves around two rival space pirates named Angus Thermopyle and Nick Succorso, and, between them, a UMCP (United Mining Companies Police) ensign named Morn Hyland. The story is told from Angus' point of view, and he is one of the most depraved and sorry figures ever depicted in a work of fiction. His repeated violations of Morn -- described in graphic detail -- have drawn hostile reviews and cries of misogyny, but Donaldson's purpose is to evoke a thoroughly dark and sordid mood in this series. 'The Real Story' is simple and short., and indeed, as a stand-alone novel, this book is lacking is depth, character development (with the exception of one character, and though we come to understand his decisions, his motives are largely unrevealed) and a satisfying conclusion, there are two points that are vital to note. These two points are apparently contradictory, but I'll attempt to explain:
1) This was written as a short novella. It wasn't intended to be the first in a series, and as such it doesn't bear many of the traits usually associated with the first book in a series, such as hints of larger plots or other elements designed to draw the reader back for book 2. As a stand-alone novel, Donaldson kept this in a drawer, unpublished, for some years. Only as part of a larger series does it work, yet it doesn't read like the beginning of a series. Once you understand this, the flaws are less glaring.
2) In apparent contradiction of point 1, above, please understand that it IS the first in a series. The series itself is probably the best science fiction I've ever read, but it really doesn't get going until mid-way through book 2. Again, once you accept that most of the "good stuff" comes after 'The Real Story, it's easier to bear to flaws.
Though I don't seek to excuse any form of weakness here (after all, whatever it was intended to be and however great the rest of the series, the first book should still be complete and engaging), I do seek to prevent people being deterred by the lukewarm reviews of this first installment. It's not bad by any means, merely incomplete. I would issue a couple of warnings though: Firstly, this book is grim and brutal; be prepared. And secondly, Donaldson tells character-based stories in fantastic settings - if you're looking for detailed high technology and hard science, this might not be your scene.
1) This was written as a short novella. It wasn't intended to be the first in a series, and as such it doesn't bear many of the traits usually associated with the first book in a series, such as hints of larger plots or other elements designed to draw the reader back for book 2. As a stand-alone novel, Donaldson kept this in a drawer, unpublished, for some years. Only as part of a larger series does it work, yet it doesn't read like the beginning of a series. Once you understand this, the flaws are less glaring.
2) In apparent contradiction of point 1, above, please understand that it IS the first in a series. The series itself is probably the best science fiction I've ever read, but it really doesn't get going until mid-way through book 2. Again, once you accept that most of the "good stuff" comes after 'The Real Story, it's easier to bear to flaws.
Though I don't seek to excuse any form of weakness here (after all, whatever it was intended to be and however great the rest of the series, the first book should still be complete and engaging), I do seek to prevent people being deterred by the lukewarm reviews of this first installment. It's not bad by any means, merely incomplete. I would issue a couple of warnings though: Firstly, this book is grim and brutal; be prepared. And secondly, Donaldson tells character-based stories in fantastic settings - if you're looking for detailed high technology and hard science, this might not be your scene.
The Plight of Queen
This is a children’s book that will keep readers glued to the pages right to the end. The Plight of Queen Bee by Simone Fairchild entails forty pages of gorgeous, bright fun illustrations with vivid detail and glorious lilac flowers in full bloom.
Illustrator Pamela Marie Key masterfully creates real-life illusions right down to the bark on the lilac tree. I loved the bee’s wings in particular, which reminded me of a treasured sea shell from my childhood that had pearl-like iridescent quality to it.
Multiple award winning author Simone Fairchild spins a fascinating detective story, complete with a Sherloch Holmes-like character – Detective Brown who is called in to solve the baffling mystery of who is stealing Queen Bee’s nectar. Detective Brown must endure awful pressure from Queen Bee and find out who is telling the truth. He accidentally discovers a culprit red-handed that completely surprises readers and heroically disarms the robber with swift swordplay. Simone Fairchild certainly reveals her talent for this genre and a love for her readers, which flows throughout this excellent book.
Four wonderful games will stimulate the minds of your children while the images and details will keep them amused for long periods of time. It’s a sure bet that The Plight of Queen Bee will be read many, many times by your family.
Illustrator Pamela Marie Key masterfully creates real-life illusions right down to the bark on the lilac tree. I loved the bee’s wings in particular, which reminded me of a treasured sea shell from my childhood that had pearl-like iridescent quality to it.
Multiple award winning author Simone Fairchild spins a fascinating detective story, complete with a Sherloch Holmes-like character – Detective Brown who is called in to solve the baffling mystery of who is stealing Queen Bee’s nectar. Detective Brown must endure awful pressure from Queen Bee and find out who is telling the truth. He accidentally discovers a culprit red-handed that completely surprises readers and heroically disarms the robber with swift swordplay. Simone Fairchild certainly reveals her talent for this genre and a love for her readers, which flows throughout this excellent book.
Four wonderful games will stimulate the minds of your children while the images and details will keep them amused for long periods of time. It’s a sure bet that The Plight of Queen Bee will be read many, many times by your family.
The Lion
It has taken me decades – literally – to finally pick up another C.S. Lewis book and read it. In high school I read Lewis’ book, “That Hideous Strength” and completely missed Lewis’ message. One decade later I read Lewis’ “Mere Christianity” and fully understood what Lewis was saying. With The Lion, the Witch and the Wardrobe, part of C.S. Lewis’ Chronicles of Narnia series, the gospel message is clearly made evident in an allegorical/mystical style. Lewis used the Narnia series to explain Christ’s love for humankind to children, who are the series’ principal readers.
This first novel in a series of seven books is currently a major motion picture now completing a successful run on theatre screens across the U.S. I have yet to see the movie, a Disney production, but I understand that it holds very true to Lewis’ storyline. I expect to see the movie before it leaves theatres later this month; it will become available on DVD this April.
Back to the story! The theme of “The Lion” centers around four children, the Pevensie siblings, who get caught up in a land of magic. Entering “Narnia” through a wardrobe [a tall cabinet that holds clothes] — located in a home where they are boarding — the children enter a land where it is always winter, but never Christmas. Under the spell of the White Witch, Narnia is forever in the grip of evil. The land is occupied by talking animals [beavers, for one], spirits, goblins, sprites, but no humans. That is until Lucy Pevensie shows up followed by her brother Edmund and, later, Susan and Peter.
Quite obviously the White Witch a/k/a the Queen of Narnia is most interested in humans so she resorts to all sorts of magic and trickery to lure them in. Edmund, the most impressionable of the siblings, is quickly captivated by the White Witch and then sets out to betray the others.
Without giving away the storyline, the theme of Narnia clearly reflects the captivity of this present world under Satan, but its past and future deliverance through Jesus Christ. In the form of a lion, Aslan, Lewis brings a savior to Narnia who eventually releases the land from its winter grip and vanquishes the White Witch.
For those unfamiliar with the gospel message, The Lion, the Witch and the Wardrobe may be hard to follow. However, Lewis wrote the book in 1950 immediately after the horrors of Word War II and with the Nazi air battle for London fresh in the minds of British citizenry. Lewis may have been responding to a strong spiritual hunger of his time when he wrote the series as “Narnia” successfully points seekers to Aslan, much as the Bible points readers to Jesus Christ.
I am not sure if I will read the remaining six books in this series, but I am definitely interested in exploring several other writings of Lewis.
C.S. Lewis, J.R.R. Tolkien, and Charles Williams were contemporaries who were a part of a group of writers and intellectuals known as The Inklings who met during the 1930s and 1940s at a public house in Oxford. Tolkien, like Lewis, used Christian allegory in many of his writings including, The Lord of the Rings, another series of books that was recently released as a major motion picture.
Clearly, the renewed interest in C.S. Lewis’ works is a positive step especially for a generation of children not familiar with the gospel message. Disney, for their part, is interested in developing the remaining six books of the series into individual movies. So, expect Narniamania – as some have called it – to continue unabated for many years to come.
This first novel in a series of seven books is currently a major motion picture now completing a successful run on theatre screens across the U.S. I have yet to see the movie, a Disney production, but I understand that it holds very true to Lewis’ storyline. I expect to see the movie before it leaves theatres later this month; it will become available on DVD this April.
Back to the story! The theme of “The Lion” centers around four children, the Pevensie siblings, who get caught up in a land of magic. Entering “Narnia” through a wardrobe [a tall cabinet that holds clothes] — located in a home where they are boarding — the children enter a land where it is always winter, but never Christmas. Under the spell of the White Witch, Narnia is forever in the grip of evil. The land is occupied by talking animals [beavers, for one], spirits, goblins, sprites, but no humans. That is until Lucy Pevensie shows up followed by her brother Edmund and, later, Susan and Peter.
Quite obviously the White Witch a/k/a the Queen of Narnia is most interested in humans so she resorts to all sorts of magic and trickery to lure them in. Edmund, the most impressionable of the siblings, is quickly captivated by the White Witch and then sets out to betray the others.
Without giving away the storyline, the theme of Narnia clearly reflects the captivity of this present world under Satan, but its past and future deliverance through Jesus Christ. In the form of a lion, Aslan, Lewis brings a savior to Narnia who eventually releases the land from its winter grip and vanquishes the White Witch.
For those unfamiliar with the gospel message, The Lion, the Witch and the Wardrobe may be hard to follow. However, Lewis wrote the book in 1950 immediately after the horrors of Word War II and with the Nazi air battle for London fresh in the minds of British citizenry. Lewis may have been responding to a strong spiritual hunger of his time when he wrote the series as “Narnia” successfully points seekers to Aslan, much as the Bible points readers to Jesus Christ.
I am not sure if I will read the remaining six books in this series, but I am definitely interested in exploring several other writings of Lewis.
C.S. Lewis, J.R.R. Tolkien, and Charles Williams were contemporaries who were a part of a group of writers and intellectuals known as The Inklings who met during the 1930s and 1940s at a public house in Oxford. Tolkien, like Lewis, used Christian allegory in many of his writings including, The Lord of the Rings, another series of books that was recently released as a major motion picture.
Clearly, the renewed interest in C.S. Lewis’ works is a positive step especially for a generation of children not familiar with the gospel message. Disney, for their part, is interested in developing the remaining six books of the series into individual movies. So, expect Narniamania – as some have called it – to continue unabated for many years to come.
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